• 2026 National Year of Reading
  • Oxford Indie Book Fair

    Keeping publishing independent

    July 12th 2026

    Proud partner of

    Oxford Festival of the Arts logo white
  • 2026 National Year of Reading
  • Oxford Indie Book Fair

    Keeping publishing independent

    July 12th 2026

    Proud partner of

    Oxford Festival of the Arts logo white
  • 2026 National Year of Reading
  • Oxford Indie Book Fair

    Keeping publishing independent

    July 12th 2026

    Proud partner of

    Oxford Festival of the Arts logo white
  • 2026 National Year of Reading
  • Oxford Indie Book Fair

    Keeping publishing independent

    July 12th 2026

    Proud partner of

    Oxford Festival of the Arts logo white

    What is OXIB?

    The National Independent Publishing Event

    Established 2020

    There are 2 OXiB events for 2026 and they’re both FREE to visitors.

    Both fairs bring together the book-buying public and the burgeoning independent creative community of small publishers & presses, established and un-agented authors, poets, writing groups, and self-published writers. A meeting place as much as a marketplace, OXIB offers a superb space for conversation, collaboration, and inspiration. Visitors can meet authors face-to-face, attend talks and readings, and hear the stories behind the stories – all FOR FREE.

    OXIB offers a welcoming, inclusive atmosphere where independent and alternative voices take centre stage.

    Join us and discover your next favourite book.

    0Exhibitors
    0Attendees

    Who will be there?

    Exhibitors

    view all Exhibitors

    Table 19

    Archidustrial Ltd

    Archidustrial Ltd

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    Archidustrial is a small publisher founded by Nick Haseltine, an architect with a long-standing interest in the connections between industrial architecture and landscapes, cartography and mapping, and social and community history.

    From an early age, Nick was fascinated by the industrial environment around him—studying old maps, watching ships move through the local harbour, and exploring the dominant silhouettes of pit wheels and power stations across nearby coalfields and coastal marshlands. These early observations developed into a wider interest in industrial history and design, and in understanding how industrial buildings and infrastructure not only supported economic activity but also became an integral part of both local identity and a broader social history.

    Through Archidustrial’s publications, using photography, drawings, and prints, each project seeks to record and share the character, history, and continuing significance, and often fast disappearing, landscapes in the UK, Germany, and the USA.

    Table 36

    Ondia Morris

    Ondia Morris

    , ,

    I’ve written more than a few books, but writing about myself might be the hardest thing of all. Let’s start simply. I was born in Jamaica. No, I can’t run or sing, and if I tried, it wouldn’t be pretty.

    My love of books began as soon as I could read on my own and discovered the power of stories. Surprisingly, it was my father who taught me to read, despite being dyslexic himself. He taught himself using newspapers and abandoned catalogues from the resorts where he worked as a carpenter. That’s where my love of words began.

    As a teenager, I turned to reading to escape the emotional upheaval of my parents’ breakup. Writing soon followed, becoming a way to say the things I couldn’t speak aloud. I’m naturally shy, and writing became my voice.

    For years, writing stayed a hobby. That changed when I returned to university to study English Literature and finally began taking my work seriously. Over the last two years, I’ve written and self-published around fourteen novels and novellas.

    I write romance because happy endings gave me hope during difficult times, and I want to pass that feeling on. I write science fiction because, as a lifelong Trekkie and a Black woman, I rarely saw myself in the worlds I loved, so I created my own. I write around real life with a husband, two boys, work, and the PTA, usually at night when it’s quiet. And if I ever met an alien, I’d run. Jamaican style.

    If you love heart, humour, romance, and a touch of sci‑fi chaos, I hope you’ll try one of my stories.

    Table 24

    Chris Burleigh

    Chris Burleigh

    ‘Life is serious, but is not to be lived too seriously’. Serious or humorous, my poems are always good-natured.

    I write when I have something to say, and I feel I have found the right way to say it. It’s about having fun with words and meaning, using words skilfully to say things differently, and saying the familiar in unfamiliar ways.

    In 2017 I self-published a collection of poetry and wit as Particles of Light, with a 2nd edition in 2025. The book has been well received and has sold well in my local bookshops.

    Intersecting Lines, my second collection, was traditionally published by indie publisher Beercott Books in 2021. In 2025 Beercott Books published my third collection, titled Reflections. These two collections continue to reflect my interest in people, love, the natural world, and the human condition.

    In 2025 I also compiled together the sections of wit from my 3 collections and published it as Wit ‘n Word. There are poems to move you, to surprise you, and to make you laugh. The humorous poems and one-liners are there for entertainment, to be enjoyed, though they often contain a ‘sting in the tail’. I hope readers will enjoy reading my poems and will feel I am putting their own experiences and emotions into words.

    I read regularly at poetry ‘open mics’ and at local literary events, and I give talks about my poetry to community groups.

    Table 46

    Patrissia Cuberos

    Patrissia Cuberos

    ,

    Colombian born, British by adoption and love, I was born again as a writer in this foreign language, with the millennium. From rags to riches, classical and Tango singer, dancer, love hats. This is my author’s hat with The Physics of Passion trilogy. The Secret Life of a God, 3rd Edition will be at my table, together with the first Edition of The Trials and Tribulations of Mary Bennet, soon to be a TV series.

    Table 31

    Norman George

    Norman George

    Norman George was born in Bangor, Northern Ireland, where he grew up during the height of the troubles. Although he is a retired IT network manager, his real passion is for natural sciences, having studied Genetics and Cell Biology, Geosciences and Astronomy at Manchester and Open Universities.

    He spent over 20 years living on mainland Europe, and spent several years hosting a ski chalet, where he became chef, driver, tourist guide and barman. His fascination for natural sciences, complemented by observation of humanity’s cultural conflicts, terrorism and the impact of mankind on nature, inspired his first novel.

    ‘Who Writes the Rules?’ published in 2023 presents scientific ideas and the author’s concerns about the impact of human activity. The story of Mosse and Heelia’s relationship examines how of cultural differences conflicts with their instincts, while providing a vehicle for discussing natural science within the context of the plot.

    Norman’s 2nd novel, ‘Divine Intervention’, was inspired by visits to Athens and Delos, where the temples to the Greek gods are now in ruins. How would Athena react if she saw the horde of tourists surrounding the Parthenon?

    A 3rd thought-provoking book is currently being researched, to be published in 2027.

    Table 3

    Oxford Independent Authors OxIA members

    Oxford Independent Authors (OxIA)

    The Oxford Independent Authors are a mutually supportive group of writers who meet to share expertise, preserving independence and joining together at collaborative events. The focus of this group is on marketing, promoting, selling and raising the profile of our writers.

    If you are an independent author or working towards becoming one and would like more information please send an email to oxfordindieauthors@gmail.com.

    Oxford Poetry Slam

    What's happening on the day? 

    Free Talks & Poetry Slam Programme

    Throughout the day we have a packed schedule full of exciting and informative sessions for all attendees. 

    Join us on Sunday July 12, thanks to The Oxford Festival of the Arts, and discover your next favourite book in the ‘Big School – the main hall of Magdalen College School: entrance Cowley Place just off The Plain.

    But that isn’t all. Off the High Street approaching Magdalen Bridge is an entrance to the Rose Garden Gazebo/Bar where you can listen to poetry organised by The Oxford Poetry Circle.

    In the Junior School Hall, to the left of the Gazebo, there will be speaker events. In the case of bad weather some of the poetry will take place there too.

    Who's Speaking?

    Where to find us

    The Venue

    Contact

    Magdalen College School
    Cowley Place, Oxford, OX4 1DZ

    Directions

    By Car: The M40, M4 and A34 provide easy access to Oxford from London and the south. The M40 links Birmingham to Oxford from the north. The A420 and A40 approach Oxford from the west.

    Parking: We are unable to offer parking for Festival events. Parking in Oxford city centre is limited. Visitors are advised to use one of the five Park & Ride systems, which are all clearly signposted from the Oxford Ring Road. The nearest car park to MCS is at St Clement’s Street, OX4 1AB.

    By Bus: Oxford has an extensive network of local buses, making it easy to visit the town centre from every direction. The main Festival site is a short 5-10 minute walk from central bus stops. The closest bus stops are The Plain (Cowley Road) and St Clement’s. There are also fast and frequent bus services from central London (closest stop St Clement’s).

    By Train: Oxford has a centrally located train station with frequent and direct train services from London and Reading, as well as from Birmingham via Banbury and Coventry. Oxford Parkway station, north of the city, serves London Marylebone. The main Festival site is a 25-minute walk from the station.

    Magdalen College School Map

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    Our Sponsors

    The Oxford Indie Book Fair is proudly funded and supported by: 

    Lucy Group